Current
Affairs
and
World
History
Credit (2008-2009)
In my Current Affairs and World
History Credit,
I
listened to my Story of the World CDs on the Early Modern Age and the
Modern Age with my mother on Fridays, which were very helpful in
getting a broad look at world history. I also used Dig Magazine, a
magazine devoted to Archeology, National Geographic and Upfront
magazine, which are on current affairs, to look deeper at certain
points in time, and the Internet to do additional research, more
specifically with the New York Times Connections daily lessons.
Lastly, I went on several mock Archaeological digs, one on Africa and
one on Greece, which taught me a lot, in a very hands-on way, about
the history of those times and places.
Here are some
highlights from my Current Affairs and World History Credit!
Some photos from
the mock Greek Archeological Dig I attended:
In my Music Practice and Theory
Credit,
I
started out by taking on piano lessons with my music teacher, Mr Tom
Schepis, and we worked through the end of level 3 of Alfred's Basic
Piano Library and onto level 4 together. We studied different scales,
major and minor, and learned how to play two part writing. Also, I
discovered a small musical composition program called Anvil
Studio, and used that to compose many pieces. When I found I had
outgrown the program and I needed finer control over my music, I
purchased a program called Notion 3, which is excellent and really
helped me. I continued with this program in my Musical Composition
Credit.
Here are some
highlights from the Music Practice and Theory Credit!
Musical
Composition
Credit
(2009-2010)
Mostly
during this credit, I worked on my composition in Notion 3, a program
which allows you to enter notes which are then played by a digital
orchestra. I also worked in the Robert W Ottman Elementary Harmony
book, which is quite hard but has been enormously beneficial to my
understanding of creating harmonies, cadences and other bits of
musical theory. I also used Alfred's Essentials of Orchestration to
help me with my composition. I worked with my music teacher, Tom. We
went over songs I'd written, went through homework in the Elementary
Harmony book, and worked on playing other composer's music on the
piano.
Mr Thom's Evaluation of my work:
November 12th,
2010
Jack continues to hone his craft of
composition in a highly creative way. His imagination is uncanny,
and Jack is able to transfer easily his ideas into music, creating
wonderful color and timbre.
It is recommended
that Jack continue his study of elementary music theory, combined
with keyboard training. Through these mediums, Jack will gain a
deeper insight into the structure and form of music, assisting him
with his compositions. I also recommend that Jack begin Aural
Comprehension (Ear Training), to further assist Jack in his musical
journey.
Jack is a highly
devoted student, and spends many hours weekly on his composition.
However, assignments are sometimes not completed in a timely manner,
taking an extra week to finish. It is recommended that Jack continue
working on assignments throughout the week, so that he may continue
to progress. Granted, the assignments are at a late high
school/early college level, and I commend Jack on the difficult
undertaking of completing his assigned reading and his part-writing
exercises. Should Jack need extra help throughout the week, he may
contact his teacher either by phone or email, as previously stated to
him. I recommend that Jack take this avenue if difficulty arises
from completing his assignments.
Jack continues to
work on proper resolutions of the tonic (I) and dominant (V) chords,
and vice versa, showing a fluent ease with which he completes these
tasks. He is able to resolve the chords with smooth voice leading in
all inversions. Jack is also able to play these chord progressions
(with an added sub-dominant or IV chord) on the keyboard in all 12
major keys and all 12 minor keys, including all inversions. In all,
Jack is able to play a total of 72 chord progressions. This is a
difficult task, and again, I commend Jack for persevering. Also,
Jack’s sight reading has improved by leaps and bounds, due largely
in part to chord progression exercises, and theoretical knowledge of
musical form. Jack continues to improve his technique as well, as
posture has improved, lending a large part of efficiency to his
technique. These highly adapted keyboard skills will no doubt be
useful, if not indispensible, as Jack improves his musicianship.
Jack’s fluency
with the composition software Notion 3 should also be noted. With
this medium, he is able to sketch many musical ideas from the
inception of the composition until completion. He is able to use
this software with video engines, effectively and efficiently
creating musical scores to film and video. Many kudos to Jack on his
continued success with this program.
Taking into
consideration Jack’s remarkable progress, I recommend that Jack
receive the score of a 9. Since the last evaluation, I’ve seen
tremendous progress, and congratulate him on his initiative. I urge
Jack, however, to strive for a 10 by not delaying the completion of
assignments.
Thomas
Schepis, Mus. B.
Here are some
highlights from the Musical Composition Credit!
New
Jersey
History
Credit
(2008-2010)
In my New Jersey History Credit, I
started by studying Mountain Lake, our local glacial lake, which used
to be, quite a while ago, a tourist destination. Now, sadly, people are
going to other places instead. I interviewed people who lived around
the lake and grew up when it was a vacation spot. I also studied the
lake itself, its history as a glacial lake, and the wildlife that live
there. During this project, we travelled to Jenny Jump to see the
erratics (rocks left behind by the glaciar), and went to a lecture on
Native American Clothing. After this project was finished up, I started
on a study of the
farms and farmers in our area, learning about how farming has changed
in our area and finding out some interesting stories about nearby
farms.
Here are some
highlights from the New Jersey History Credit!
A photo of me and Amy posing on an erratic at Jenny Jump:
In my Art Credit, I
worked with my mentor, Peter Callahan, and learned how to, at first,
draw the human body, getting proportions right and then working on
details. I also learned how I could break everything down into its
basic shapes and use those to rough out a picture. After that, we
moved on to pen and ink, and I created several pieces using this
technique. I also learned how to paint using watercolors and
acrylics, creating a couple of paintings. About halfway through, I
began to illustrate a children's book I wrote when I was eight, Terror
of Porridge, using
pen and ink to create them and using Mr Pete's Mac to clean them up
and create a layout, placing the text and pictures where I wanted. I
learned how to publish my book, and created a final copy, ready for
publication on Lulu.com. Lastly, I went to art museums and submitted my
work to
magazines like Cicada, Cricket and Muse.
In my Theater Arts Credit,
I
began
by
working
on
the
Musical
Performance
lab
at
the
Growing
Stage.
I
learned
coordination
and
increased
my
capacity
for
singing,
and
we put on a small song and dance
number for the parents who
came to the final class. At the same time, I continued the
play which I
had started the previous semester in the Actor and Writer Speaks
class at the Growing Stage, increasing my skill at writing believable
dialogue and interesting characters. Lastly, I worked in the
Black-Light Puppetry Class, also at the Growing Stage, where I worked
with a group of three other students to create a black-light puppet
show based on the Greek myth of Phaeton. In the next semester, I
continued the Actor and Writer Speaks and the Musical Performance
Lab. In the Musical Performance lab, I continued to learn
coordination and how to control my voice, and it was a very different
experience because we had two new teachers. In the Actor and Writer
Speaks class, I began to approach the end of my play and studied
different ways to make my characters identifiable. I also went to
Growing Stage and New Jersey Shakespeare Company productions and
wrote reviews of them.
Here are some
highlights from my Theater Arts Credit!
A set of the best
photos from the Blacklight Puppet Class at the Growing Stage (black
light doesn't work so well in photo form, unfortunately):
I read
and worked on my Whatever Happened to Penny Candy Course, which
consisted of two books, a workbook and a reading book. I learned a
lot from this course, and it formed my grounding in economics. I
learned how inflation works, why recessions and depressions happen,
and how our government often inflates to prevent depressions. I went
deeper into economics with the other books I read as part of the
credit, learning more about other areas and applications of
economics. For a while, I used the Current Affairs website to keep up
on world events, which almost almost have something to do with
economics, and I watched Connections and Connections 2, by James
Burke, two courses which were very useful for expanding my knowledge
of the ways economics could be applied.
Here are some
highlights from my Economics Credit!
My Economics Final
Project, on inflation and its effects on the economy:
I worked with Marie Boudes and various other
video and audio French courses, including Fluenz
French, to increase my French conversational and writing skills.
I started out by attending classes with my French teacher, Marie
Boudes, where she taught me a lot about French
language, pronunciation, reading and writing. In the lessons, I used a
book series called Symtalk to learn the language,
with Marie's help. During this time, as we knew she was going to move away, we started looking into various other French courses,
including Voila! French, Ma France, French for
Beginners, and Learn French Online, among others. However, the course
we eventually settled on was Fluenz French, an
excellent blend of video, audio and interactive examples which allowed me to really grasp the basics of French grammar,
writing and reading. I managed to get through the
first level (which had 30 lessons) and onto level two before we
finished this credit.
Mentor's Evaluation:
At one time Jack and I were working together, but a number of months
ago it became clear that Jack was far in advance
of myself, and therefore I encouraged him to continue on his own. He
has made great advances in his understanding of
the French language, and I think he will do well at making himself understood in a country where French is the first
language. -Lorna Wooldridge
Life
and
Survival
Skills
Credit
(2009-2010)
I
started by working with my mom in the kitchen, learning how to cook
first snacks, then full meals. We also read Go Wild!, which was about
learning to survive in the outdoors. Around that time, I also worked
with my dad in the yard, learning how to do various chores and tasks.
I went to various workshops, where I learned how to identify
mushrooms and survive in the woods. After these, I began working with
Mr Bill, my mentor, and he taught me many new skills I could then
apply to my life. I learned confidence with many tools, most of which
unnerved me to start with, but which I learned to respect, not fear,
by the end. Many of the jobs I worked on had long term impacts
(learning to make jelly and reducing waste by using the cores and
skins of the apples; making a shed to keep lumber from getting wet in
the rain; doing electrical work for a freezer and cutting piping for
a greenhouse). I learned that one of the best things to do while
doing something physical is to think about things that are bothering
you, and that many problems solve themselves that way. I also learned
that many tasks (including chipping) are better when there's someone
else around, working with you, even if you're both doing your own
things. However, the most important thing he taught me was a can-do
attitude, and I try to remember that wherever I go. During the
Survival Class I attended with Fred Gast, which was a day class, I
learned how to start a fire, what to do if I got lost in the great
outdoors, what items I need to wear when going for a walk and which
items I need to take with me in order to help me survive. We also
spent some time in the woods later that day putting many of the
things we had learned to good use. Lastly, I went to NOFA (The
Northeast Organic Farmers Association) and MOFGA (The Maine Organic
Farmers and Gardeners Association), where I attended many workshops
and learned new skills. In conclusion, I have come a long way from
when I started, but I can still strive upward, to improve my skills
and knowledge, and keep a positive attitude.
Composition
II
Credit
(2010-2011)
I started out by working with my
music teacher, Thom Schepis, learning music theory and improving my
piano skills. I worked with the books Elementary Harmony and Music for
Sight Singing to learn about music theory and how to sing notes in
various scales by ear. I also worked with Alfred's Basic Piano Library
Lesson Book Level 5, working through many different pieces and learning
how to play a sonatina. Mr Thom also set me homework to listen to
sonatas and symphonies by famous composers, and write a
phenomenological analysis of each. Lastly, I worked in Notion 3 and
Sonar X1 Essentials, using Symphonic Orchestra samples, to write
various orchestral pieces.
Mentor's Evaluation:
Jack has worked with the same professional tutor, Thomas Schepis, on
this, as on his previous music credits. It has been a pleasure to
observe his continued improvement in the areas of music theory and
harmony, as well as the practical side of his analysis, singing and
piano playing.
Jack has also improved his competency in using some of the software
tools available for composition, such as Notion and Sonar, as evidenced
in his Clonlara portfolio.
Although this credit, and Jack's time in high school, has come to an
end, his love of music, particularly orchestral music, and composition,
is sure to keep him on this journey as he moves into higher education.
-Phil Wooldridge
Here are some highlights from my
Composition II Credit!
Orchestration
I
Credit
(2011)
In my Orchestration I credit, I worked online with Berklee College
of Music to learn about how to write orchestral music, sheet music
structure and form, and how to create specific sounds and feels. In the
twelve-week course, I worked with my professor Philip Sheeran to clear
any problems I might have, read through the lessons and used
interactive examples to educate myself on the subject. I also produced
a piece of music or sheet music for my assignment every week, including
my three-minute final project, which I have showcased here.
Here is my final project
from my Orchestration I Credit!
Commercial
Art
Credit
(2010-2011)
I worked with Mr Pete, my art teacher, to develop my skills and
put them to the test by taking on various illustration and design
projects, including logos, designs for my book website and my art
business.
I started out by attending classes with my art teacher, Peter Callahan,
who helped me with various projects, including experiments with 3d
glasses, an acrylic painting, and designing a logo for a friend's
business. I used Blender, a free and open-source 3d art program, to
create the assets for my Terror of Porridge game. I then used Unity 3d
Indie, a free game developers kit, to put the levels together.. Mr Pete
also got me started on figure drawing and taught me a lot about shading
and sketching, including how to use a light box and programs such as
Photoshop and Adobe Illustrator. Lastly, I used my graphics tablet and
the GIMP, a free, open-source image editing program, to create art for
my online portfolio.
Mentor's Evaluation:
I have found Jack to be enthusiastic in learning any new
technique or point of view that will expand his skill set. Jack is a
conscientious student who is able to quickly grasp new concepts and
apply them in a variety of projects. From traditional techniques to
computer graphic programs he has demonstrated a drive to understand and
master new ideas.
Creatively Jack has expanded his horizons to encompass many avenues.
Writing, illustrating and publishing his own children’s book, and a
variety of art competitions in various mediums have produced award
winning results. He has shared with me his love for composing music as
well as his theatrical talents.
His positive attitude and inquisitiveness have made it a pleasure to be
his instructor. It has been my honor to be a mentor for a young man
that I feel great things will come from. I have no doubt that Jack will
excel at anything he sets his mind on.
Sincerely yours,
Peter Callahan
Senior Instructor
Of Mice and Pen Design
305 Mountain Lake Road
Great Meadows, NJ 07838
908-763-2644
Film
Making
Credit
(2011)
I learned the basics of designing, casting, and shooting a short
film by studying Looking at Movies, a textbook that Rachel, my mentor,
provided for me. I also worked with Rachel to create visuals for and
produced a short film based on my book Terror of Porridge.
I started out by working with my mentor, Rachel Weinrich, and by
studying Looking at Movies. By studying this book, I was able to
understand concepts like mis-en-scene and the rule of thirds. Next, I
recorded lines in the movie for various characters, using my friends
and family. I also started using Blender, a free 3d animation program,
to create visuals for my Terror of Porridge movie. However, after it
became clear that it wasn't giving me the results I wanted and I wasn't
skilled enough to produce things efficiently, I switched to Flash
animation, using an open-source image editing program called the GIMP
and a free animation program called Giotto. I was able to finish up the
pieces for and put together the whole movie within a month. This
project gave me a good understanding of film design and an appreciation
for how hard animators work!
Mentor's
Evaluation:
Mentor: Rachel Weinrich
November 21, 2011
Jack is a very talented and creative student. He has a passion for the
work he has done and I believe he has a bright future in film and
animation. Areas where I saw the most improvement were in Jack's
organization of tasks and his problem solving and research abilities.
When Jack was stuck on a task in an animation program he would not
hesitate to look up what he didn't know in his guide book or through
the help menu. Instead of just working with the tools and functions he
already knew how to use he pushed himself to learn and get experience
with new tools taking advantage of the program's potential.
I am so impressed with Jack’s completion of his film, Terror of
Porridge. Producing a movie by himself forced Jack to wear many
different hats as he learned the filmmaking process. He held the
position of story writer, screenwriter, director, editor, talent
recruiter, audio and sound effects, illustrator, animator, producer and
student. Each of these jobs in the film industry are specialized and
important to the final product. Jack did a fantastic job balancing all
these roles and it gave him the understanding of what goes into
filmmaking and what areas he enjoyed and excelled at most.
Jack and I started our video lessons in July and in September I had him
answer a few evaluative questions to consider his strengths and
weaknesses in the project at that point. I asked him what tasks he
enjoyed most, what tasks were most challenging, what was a realistic
timeline for a finish date, and how he felt about the animation
programs he was working with. Jack did a lot of problem solving on
his own and made the decision to switch to a less sophisticated
animation program, Blender to Flash, so that he could finish his
project in a reasonable time. Each time we met, Jack and I created a
schedule for the upcoming weeks to ensure time efficiency and it also
gave us a chance to look back at the past weeks and see what was
accomplished and what notes had been taken.
Overall it was a joy to work with Jack. I am happy I had the
opportunity to mentor with him and I look forward to the filmmaking
projects he works on in the future. I give Jack a 10 for excellent
performance, excellent initiative and follow-through.