English


Current Affairs and World History Credit
(2008-2009)


In my Current Affairs and World History Credit, I listened to my Story of the World CDs on the Early Modern Age and the Modern Age with my mother on Fridays, which were very helpful in getting a broad look at world history. I also used Dig Magazine, a magazine devoted to Archeology, National Geographic and Upfront magazine, which are on current affairs, to look deeper at certain points in time, and the Internet to do additional research, more specifically with the New York Times Connections daily lessons. Lastly, I went on several mock Archaeological digs, one on Africa and one on Greece, which taught me a lot, in a very hands-on way, about the history of those times and places.

Here are some highlights from my Current Affairs and World History Credit! 

Music Practice and Theory Credit
(2008-2009)


In my Music Practice and Theory Credit, I started out by taking on piano lessons with my music teacher, Mr Tom Schepis, and we worked through the end of level 3 of Alfred's Basic Piano Library and onto level 4 together. We studied different scales, major and minor, and learned how to play two part writing. Also, I discovered a small musical composition program called Anvil Studio, and used that to compose many pieces. When I found I had outgrown the program and I needed finer control over my music, I purchased a program called Notion 3, which is excellent and really helped me. I continued with this program in my Musical Composition Credit.


Here are some highlights from the Music Practice and Theory Credit! 



Musical Composition Credit
(2009-2010)


Mostly during this credit, I worked on my composition in Notion 3, a program which allows you to enter notes which are then played by a digital orchestra. I also worked in the Robert W Ottman Elementary Harmony book, which is quite hard but has been enormously beneficial to my understanding of creating harmonies, cadences and other bits of musical theory. I also used Alfred's Essentials of Orchestration to help me with my composition. I worked with my music teacher, Tom. We went over songs I'd written, went through homework in the Elementary Harmony book, and worked on playing other composer's music on the piano.

Mr Thom's Evaluation of my work:

November 12th, 2010

    Jack continues to hone his craft of composition in a highly creative way. His imagination is uncanny, and Jack is able to transfer easily his ideas into music, creating wonderful color and timbre.
    It is recommended that Jack continue his study of elementary music theory, combined with keyboard training. Through these mediums, Jack will gain a deeper insight into the structure and form of music, assisting him with his compositions. I also recommend that Jack begin Aural Comprehension (Ear Training), to further assist Jack in his musical journey.
    Jack is a highly devoted student, and spends many hours weekly on his composition. However, assignments are sometimes not completed in a timely manner, taking an extra week to finish. It is recommended that Jack continue working on assignments throughout the week, so that he may continue to progress. Granted, the assignments are at a late high school/early college level, and I commend Jack on the difficult undertaking of completing his assigned reading and his part-writing exercises. Should Jack need extra help throughout the week, he may contact his teacher either by phone or email, as previously stated to him. I recommend that Jack take this avenue if difficulty arises from completing his assignments.
    Jack continues to work on proper resolutions of the tonic (I) and dominant (V) chords, and vice versa, showing a fluent ease with which he completes these tasks. He is able to resolve the chords with smooth voice leading in all inversions. Jack is also able to play these chord progressions (with an added sub-dominant or IV chord) on the keyboard in all 12 major keys and all 12 minor keys, including all inversions. In all, Jack is able to play a total of 72 chord progressions. This is a difficult task, and again, I commend Jack for persevering. Also, Jack’s sight reading has improved by leaps and bounds, due largely in part to chord progression exercises, and theoretical knowledge of musical form. Jack continues to improve his technique as well, as posture has improved, lending a large part of efficiency to his technique. These highly adapted keyboard skills will no doubt be useful, if not indispensible, as Jack improves his musicianship.
    Jack’s fluency with the composition software Notion 3 should also be noted. With this medium, he is able to sketch many musical ideas from the inception of the composition until completion. He is able to use this software with video engines, effectively and efficiently creating musical scores to film and video. Many kudos to Jack on his continued success with this program.
    Taking into consideration Jack’s remarkable progress, I recommend that Jack receive the score of a 9. Since the last evaluation, I’ve seen tremendous progress, and congratulate him on his initiative. I urge Jack, however, to strive for a 10 by not delaying the completion of assignments.

Thomas Schepis, Mus. B.


Here are some highlights from the Musical Composition Credit! 



New Jersey History Credit
(2008-2010)


In my New Jersey History Credit, I started by studying Mountain Lake, our local glacial lake, which used to be, quite a while ago, a tourist destination. Now, sadly, people are going to other places instead. I interviewed people who lived around the lake and grew up when it was a vacation spot. I also studied the lake itself, its history as a glacial lake, and the wildlife that live there. During this project, we travelled to Jenny Jump to see the erratics (rocks left behind by the glaciar), and went to a lecture on Native American Clothing. After this project was finished up, I started on a study of the farms and farmers in our area, learning about how farming has changed in our area and finding out some interesting stories about nearby farms.  

Here are some highlights from the New Jersey History Credit! 

Art Credit
(2008-2010)


In my Art Credit, I worked with my mentor, Peter Callahan, and learned how to, at first, draw the human body, getting proportions right and then working on details. I also learned how I could break everything down into its basic shapes and use those to rough out a picture. After that, we moved on to pen and ink, and I created several pieces using this technique. I also learned how to paint using watercolors and acrylics, creating a couple of paintings. About halfway through, I began to illustrate a children's book I wrote when I was eight, Terror of Porridge, using pen and ink to create them and using Mr Pete's Mac to clean them up and create a layout, placing the text and pictures where I wanted. I learned how to publish my book, and created a final copy, ready for publication on Lulu.com. Lastly, I went to art museums and submitted my work to magazines like Cicada, Cricket and Muse.

Here are some highlights from my Art Credit! 

Theater Arts Credit
(2009-2010)


In my Theater Arts Credit, I began by working on the Musical Performance lab at the Growing Stage. I learned coordination and increased my capacity for singing, and we put on a small song and dance number for the parents who came to the final class. At the same time, I continued the play which I had started the previous semester in the Actor and Writer Speaks class at the Growing Stage, increasing my skill at writing believable dialogue and interesting characters. Lastly, I worked in the Black-Light Puppetry Class, also at the Growing Stage, where I worked with a group of three other students to create a black-light puppet show based on the Greek myth of Phaeton. In the next semester, I continued the Actor and Writer Speaks and the Musical Performance Lab. In the Musical Performance lab, I continued to learn coordination and how to control my voice, and it was a very different experience because we had two new teachers. In the Actor and Writer Speaks class, I began to approach the end of my play and studied different ways to make my characters identifiable. I also went to Growing Stage and New Jersey Shakespeare Company productions and wrote reviews of them.  

Here are some highlights from my Theater Arts Credit! 

Economics Credit
(2008-2010)


I read and worked on my Whatever Happened to Penny Candy Course, which consisted of two books, a workbook and a reading book. I learned a lot from this course, and it formed my grounding in economics. I learned how inflation works, why recessions and depressions happen, and how our government often inflates to prevent depressions. I went deeper into economics with the other books I read as part of the credit, learning more about other areas and applications of economics. For a while, I used the Current Affairs website to keep up on world events, which almost almost have something to do with economics, and I watched Connections and Connections 2, by James Burke, two courses which were very useful for expanding my knowledge of the ways economics could be applied. 

Here are some highlights from my Economics Credit! 

French Credit
(2008-2011)

I worked with Marie Boudes and various other video and audio French courses, including Fluenz French, to increase my French conversational and writing skills.

I started out by attending classes with my French teacher, Marie Boudes, where she taught me a lot
about French language, pronunciation, reading and writing. In the lessons, I used a book series called Symtalk to learn the language, with Marie's help. During this time, as we knew she was going to move away, we started looking into various other French courses, including Voila! French, Ma France, French for Beginners, and Learn French Online, among others. However, the course we eventually settled on was Fluenz French, an excellent blend of video, audio and interactive examples which allowed me to really grasp the basics of French grammar, writing and reading. I managed to get through the first level (which had 30 lessons) and onto level two before we finished this credit.

Mentor's Evaluation:


At one time Jack and I were working together, but a number of months ago it became clear that Jack
was far in advance of myself, and therefore I encouraged him to continue on his own. He has made great advances in his understanding of the French language, and I think he will do well at making himself understood in a country where French is the first language. -Lorna Wooldridge

Life and Survival Skills Credit
(2009-2010)


I started by working with my mom in the kitchen, learning how to cook first snacks, then full meals. We also read Go Wild!, which was about learning to survive in the outdoors. Around that time, I also worked with my dad in the yard, learning how to do various chores and tasks. I went to various workshops, where I learned how to identify mushrooms and survive in the woods. After these, I began working with Mr Bill, my mentor, and he taught me many new skills I could then apply to my life. I learned confidence with many tools, most of which unnerved me to start with, but which I learned to respect, not fear, by the end. Many of the jobs I worked on had long term impacts (learning to make jelly and reducing waste by using the cores and skins of the apples; making a shed to keep lumber from getting wet in the rain; doing electrical work for a freezer and cutting piping for a greenhouse). I learned that one of the best things to do while doing something physical is to think about things that are bothering you, and that many problems solve themselves that way. I also learned that many tasks (including chipping) are better when there's someone else around, working with you, even if you're both doing your own things. However, the most important thing he taught me was a can-do attitude, and I try to remember that wherever I go. During the Survival Class I attended with Fred Gast, which was a day class, I learned how to start a fire, what to do if I got lost in the great outdoors, what items I need to wear when going for a walk and which items I need to take with me in order to help me survive. We also spent some time in the woods later that day putting many of the things we had learned to good use. Lastly, I went to NOFA (The Northeast Organic Farmers Association) and MOFGA (The Maine Organic Farmers and Gardeners Association), where I attended many workshops and learned new skills. In conclusion, I have come a long way from when I started, but I can still strive upward, to improve my skills and knowledge, and keep a positive attitude.

Composition II Credit
(2010-2011)


I started out by working with my music teacher, Thom Schepis, learning music theory and improving my piano skills. I worked with the books Elementary Harmony and Music for Sight Singing to learn about music theory and how to sing notes in various scales by ear. I also worked with Alfred's Basic Piano Library Lesson Book Level 5, working through many different pieces and learning how to play a sonatina. Mr Thom also set me homework to listen to sonatas and symphonies by famous composers, and write a phenomenological analysis of each. Lastly, I worked in Notion 3 and Sonar X1 Essentials, using Symphonic Orchestra samples, to write various orchestral pieces.

Mentor's Evaluation:

Jack has worked with the same professional tutor, Thomas Schepis, on this, as on his previous music credits. It has been a pleasure to observe his continued improvement in the areas of music theory and harmony, as well as the practical side of his analysis, singing and piano playing.

Jack has also improved his competency in using some of the software tools available for composition, such as Notion and Sonar, as evidenced in his Clonlara portfolio.

Although this credit, and Jack's time in high school, has come to an end, his love of music, particularly orchestral music, and composition, is sure to keep him on this journey as he moves into higher education. -Phil Wooldridge


Here are some highlights from my Composition II Credit!




Orchestration I Credit
(2011)


In my Orchestration I credit, I worked online with Berklee College of Music to learn about how to write orchestral music, sheet music structure and form, and how to create specific sounds and feels. In the twelve-week course, I worked with my professor Philip Sheeran to clear any problems I might have, read through the lessons and used interactive examples to educate myself on the subject. I also produced a piece of music or sheet music for my assignment every week, including my three-minute final project, which I have showcased here.

Here is my final project from my Orchestration I Credit! 



Commercial Art Credit
(2010-2011)


I worked with Mr Pete, my art teacher, to develop my skills and put them to the test by taking on various illustration and design projects, including logos, designs for my book website and my art business.

I started out by attending classes with my art teacher, Peter Callahan, who helped me with various projects, including experiments with 3d glasses, an acrylic painting, and designing a logo for a friend's business. I used Blender, a free and open-source 3d art program, to create the assets for my Terror of Porridge game. I then used Unity 3d Indie, a free game developers kit, to put the levels together.. Mr Pete also got me started on figure drawing and taught me a lot about shading and sketching, including how to use a light box and programs such as Photoshop and Adobe Illustrator. Lastly, I used my graphics tablet and the GIMP, a free, open-source image editing program, to create art for my online portfolio.


Mentor's Evaluation:

I have found Jack to be enthusiastic in learning any new technique or point of view that will expand his skill set. Jack is a conscientious student who is able to quickly grasp new concepts and apply them in a variety of projects. From traditional techniques to computer graphic programs he has demonstrated a drive to understand and master new ideas.

Creatively Jack has expanded his horizons to encompass many avenues. Writing, illustrating and publishing his own children’s book, and a variety of art competitions in various mediums have produced award winning results. He has shared with me his love for composing music as well as his theatrical talents.

His positive attitude and inquisitiveness have made it a pleasure to be his instructor. It has been my honor to be a mentor for a young man that I feel great things will come from. I have no doubt that Jack will excel at anything he sets his mind on.

Sincerely yours,
Peter Callahan
Senior Instructor
Of Mice and Pen Design
305 Mountain Lake Road
Great Meadows, NJ 07838
908-763-2644


Film Making Credit
(2011)


I learned the basics of designing, casting, and shooting a short film by studying Looking at Movies, a textbook that Rachel, my mentor, provided for me. I also worked with Rachel to create visuals for and produced a short film based on my book Terror of Porridge.

I started out by working with my mentor, Rachel Weinrich, and by studying Looking at Movies. By studying this book, I was able to understand concepts like mis-en-scene and the rule of thirds. Next, I recorded lines in the movie for various characters, using my friends and family. I also started using Blender, a free 3d animation program, to create visuals for my Terror of Porridge movie. However, after it became clear that it wasn't giving me the results I wanted and I wasn't skilled enough to produce things efficiently, I switched to Flash animation, using an open-source image editing program called the GIMP and a free animation program called Giotto. I was able to finish up the pieces for and put together the whole movie within a month. This project gave me a good understanding of film design and an appreciation for how hard animators work!

Mentor's Evaluation:

Mentor: Rachel Weinrich
November 21, 2011

Jack is a very talented and creative student. He has a passion for the work he has done and I believe he has a bright future in film and animation. Areas where I saw the most improvement were in Jack's organization of tasks and his problem solving and research abilities. When Jack was stuck on a task in an animation program he would not hesitate to look up what he didn't know in his guide book or through the help menu. Instead of just working with the tools and functions he already knew how to use he pushed himself to learn and get experience with new tools taking advantage of the program's potential.

I am so impressed with Jack’s completion of his film, Terror of Porridge. Producing a movie by himself forced Jack to wear many different hats as he learned the filmmaking process. He held the position of story writer, screenwriter, director, editor, talent recruiter, audio and sound effects, illustrator, animator, producer and student. Each of these jobs in the film industry are specialized and important to the final product. Jack did a fantastic job balancing all these roles and it gave him the understanding of what goes into filmmaking and what areas he enjoyed and excelled at most.

Jack and I started our video lessons in July and in September I had him answer a few evaluative questions to consider his strengths and weaknesses in the project at that point. I asked him what tasks he enjoyed most, what tasks were most challenging, what was a realistic timeline for a finish date, and how he felt about the animation programs he was working with. Jack did a lot of problem solving on
his own and made the decision to switch to a less sophisticated animation program, Blender to Flash, so that he could finish his project in a reasonable time. Each time we met, Jack and I created a schedule for the upcoming weeks to ensure time efficiency and it also gave us a chance to look back at the past weeks and see what was accomplished and what notes had been taken.

Overall it was a joy to work with Jack. I am happy I had the opportunity to mentor with him and I look forward to the filmmaking projects he works on in the future. I give Jack a 10 for excellent performance, excellent initiative and follow-through.